In the song The Love Song of J. Alfred Prufrock by T. S. Eliot, the chief(prenominal) character, J. Alfred Prufrock is seen as an anti-hero. His character and identity comes through strongly in the verse form as a shy and draw in man who is socially inept, extremely self conscious, lacking in self self-confidence and wallowing in self-pity, yet desiring for people to watching him. The composer shows this through his spend of allusions, powerful imagery to create vignettes of Prufrocks life-time and the form of the poem as a disorderly cultivate of thought, implying rather than telling. Throughout the poem, T.S. Eliot uses umteen allusions in order to dilate Prufrocks character and identity. The first such allusion is to the biblical character canful the Baptist in lines 83-83; Though I have seen my head (grown close to bald) brought in upon a criminal record, I am no prophet - and heres no great matter. This allusion refers to the circumstance that John the Baptist wa s penalise by Salome and brought to her on a platter and that Prufrock sees himself in a same position; as a sacrifice to women. This reflects the item that he is self conscious and circumspect when it comes to relationships.
Another allusion to a biblical character was to Lazarus, who, like the character in the epigraph at the beginning of the poem, went to endocarp, but came back to life and pour forthed near it. This allusion, like the epigraph, is parallel to the poem. Prufrock sees himself as being in orchestra pit; because of his lack of social ability, and like the person in the epigraph, requires to rebuke ab out his experiences because he feels that he! will never drum out of it. T.S. Eliot uses I and you to show the two sides to Prufrock; his outer side... If you emergency to get a full essay, order it on our website:
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