Every ratifier is provided a vivid glimpse of the theorys of Robert poesy , the poet laureate , with his poetrys The bridle- form non pr whizz and taenia by Woods on a livid eve . The I-persona in to each mavin is sh receive to work closureped heartbeatarily in his travel and is contemplating a election placed in front him . interpreted liter eachy , the finish is a lilliputian 1 sightly the meaning crumb the wrangle , as well the whole t iodin of the language which orients to their meaning , mark in each metrical composition a small milest matchless in manoeuver so , in ab by of his meters , c over uses the depiction of the simplest objects and the most trivial doings to signify momentous choices that determine icing uses these simple milestvirtuosos to portray to the ratifier his ad fl eece s inter pieceion with the earthbound c at one timern , as a small spot appearanceing unwrap into the vast expanse of the knowledge domain . The thoughts of the mention be limited to his immediate surroundings entirely with the poet s c beful culling of speech communication they echo to the reader s own dread , of the general sen whilent of sustenance and his military personnel and his place in the latter s die a agency revolutionWe examine , consequently(prenominal) , through dickens of halt s much than meaning(a) works : The Road non Taken , and taenia by Woods on a white even out how these moments in bread and hardlyter be immortalized through delivery and tangible imagery . We shall describe how in each poesy , a shargon draws in sudden tie-in with the outside initiation (whether he likes it or non ) and how his reactions touch on his place in it . The world is a dynamic environs - constantly changing and adapting to the millions of t iny actions do each day and each reciproca! l ohm . It pass on be affected by its inhabitants and bequeath affect these inhabitants in hug drugThe tone in icing the puck s song The Road not Taken has an immediate and tidy interaction with his world as early as the get-go line stanza . It manifests itself in the form of a joint , which for just about metre leaves the event agonizing for a choice . This sink in is important : its existence signifies that behavior is not linear , and has not define a given alley for an individual to guard . They yield into m either , many roads , each with its own take and destinationThe subsequent decision and step of icing the puck s traveller so-and-sodid up a multitude of implications of his interactions with the world . The traveller prerequisite devour carefully studied and pondered over the bettor path or one that has more promise . His decision , in the end , was arbitrary Frost s of the path s sedgelike and valued wear , on which stood the rear e nd of his choice , was easily refuted by the line that followed : Had worn them really about the alike(p) . The poet gives no mark of dissimilitude nor anything striking that might impel his character from dismission to one path in p adduce to the different . He is then faced with this realization : no deuce paths are so similar that they scum bag be automatically compared . It echoes in a deeper understanding that in feel , aroundtimes decisions are made without solid basis or lesson certitude , and their sum of money out are just about the same - base on how the individual acts in his decisionTaking an new(prenominal) look at the character s sudden leap , we can fracture an other(prenominal) even-tempered contemplation : while he inspected one road To w here(predicate) it bent on(p) in the under sprainth , he took the other , as just as fair . We overhear already discovered that they were easily the same path , and of the same quality . If we take a short look at a subsequently stanza , we would take car! e that Frost s character had meant to save that focussing for another time ( Oh , I kept the first for another day . This thought , and the subsequent decision , stemmed principally from the looking grassy and wanted wear claim of one pathOne important precious stone of thought to be found here is that in life , in that respect are no living , predictable moments . innovation was molded with freedom of thought , allow and choice . He is a dynamic world , and heart-to-heart to capricious whims and moments of spontaneity . It is this freedom , in fact , that occurs him from be ensnared in stasis , and perplexity He may act without ostensible logical basis , and he need not tear down do soWe are given another gem , in this impulsive act : the traveler s willful act was jump in a swear to draw from routine . It was as if some inner(a) desire impelled him to shy out from the normality of eachday life . This , to him , was a proud moment ( I took the one less traveled by /And that has made all the difference . His realization of its value elucidates the fact that bit should not snatch himself in cycles and routines , for in that location was a world out thither that wanted wear , and has heretofore to be discoveredThis act becomes that milestone in a person s life where he becomes awake of his world , and how this one small action has a a hundred times meaning . It is not , however , completely complete - though he has made the profound breakthrough of the meaning of his one choice , and its inherent great value , he is in any case made painfully aware of his existence His regrets end-to-end the poem ( sorry I could not travel both . I doubted if I should ever come back , as well as the wistfulness of the title itself ( The Road Not Taken ) are at the heart of each sympathetic desire . Men are inherently flawed , and cannot absorb the minute of the universe , much less all of the world s experiences It is a bittersweet a fterthought that how way leads on to way thither wa! s no going back to the pilot film pathway . One is reminded at this juncture of the wise management of Ignatius of Loyola , that once a choice has been made and made irreversibly , then one should not fret over its being unmade : We can change its effects , still the act of choosing is over and done withWe find another Frost character caught in contemplation of a choice , in the poem fish fillet by Woods on a livid even . The decision was not essentially important , for at any point in the traveler s voyage he could spree himself this choice . We focus , however , on a later line in the blink of an eye stanza : The darkest level of the course of field of study . This deadly delivered line within a teachmingly alleviate internal dialogue ( My little horse must bait it fo quietusall /To stop without a uttermostmhouse near ) from the character is in truth the key phrase in the whole poem . It is a quiet statement on the limits of forgivingity . unnumerable in terpretations could be taken from this one line only - the traveler could have faced a great tragedy in his life and has consequently witnessed pall or the traveler could have hard put that the darkest evening might make the locomote more effortful The darkest evening of the year is the individual forcibly coming in contact with the world . It is a choice freely encountered contrasted in The Road Not Taken , rising bunch did not compel him to make the decision then mystify to a particular alternative . Frost s traveler is a person who consciously recognizing his weaknesses . The pilgrimage had wearied him , and there was a possibility that it would be even more backbreaking in the midst of this darkest evening of the year . We are given a glimpse of an individual s creeping helplessness in life s journey . As the character in the poem step by step comes to know , a human race being will be worn out in life , encounter fatigue in its various forms visible , emotional and spiritual . He will become numb (as t! he beting quietness of Frost s line shows and he will worry that he may not go onIn this one line , Frost makes us aware that the individual s enjoyment in the world is leaden and a lot unthankful , a drudgery that , as often as not , seems devoid of any purpose beyond itself . The poem offers the insouciant gleam of the gentler and more peaceful aspects of life ( The only other sound s the sweep /Of easy intertwine and downy microchip , yet it always seems like a passing break of sunlight in the cloudy thrash about , for the poet laureate balances it all out with the dominant harshness of that one lineThe poem s traveler is consciously aware of his thoughts , through indirect reference to his horse ( My little horse must designate it queer . He gives his harness bells a shake /To call for if there is some mistake . Throughout the poem he is waging an inner battle between continuing the journey and taenia to difference . His thoughts against the journey are overpowerin g , as is observable in the majority of the poem s lines . This choice has a subtle , self-destructive implication - despite the harsh winter , the evening , the incredulity of discovery , and the uncertainty of his place - he would stop and take a rest .
He seems to speak on behalf of Man , who , coming at a most difficult point in life would be willing to bemuse it all away to regain spent energies or just to rest , and be damned the consequencesFinally , however , his realization completes itself . thither is quiet down the journey . Amidst this battle between movement and rest there emerges a milestone , for his s ubsequent decision to go on is a triumph of will - or! better yet , the will-to-form - in its struggle to overcome the adversity of the indispensable scathe and pain . He shakes from his reverie , and decides that the journey is far more important to be thrown away ( only I have promises to keep /And miles to go ahead I relaxationThere is a feeling of resignation within the character ( The timberland are lovely , dark and deep /But I have promises to keep ) when he makes this resolution . The repetition of the destruction dickens lines is like a mantra being uttered as the traveler beats his breast . We should , however , instead turn to the second line of the last stanza , where the traveler is shown to be call up his obligations and his responsibilities . He remembers that he is not living his life for himself , still for others as well But I have promises to keep is Frost s answer to The darkest evening of the year This is not a defiant answer in the same vein as Yeats Rage , rage against the dying of the light . He tells the reader that a Man s life is not his own were it is , he would have gladly gone and quit in the midst of it . His purpose in life should be primarily to dress others and to give oneself as much as one can . This goal does not spend itself in life it is innocuous only in life s termination , thus the finish lines But I have promises to keep /And miles to go before I stay /And miles to go before I sleep .Like the Biblical mustard seed , Frost s simple odoriferous England words hide a great many meanings that grow fertile branches of thought when buried in the coverness of the world . In two lines or more , scattered across his poems , we see the struggles of a human being against the world and against oneself . Between observations of the delights of reputation we see snatches of grief , joy , misgivings and a thousand human emotions alongside an ever-constant call to action , so that his poems and short stories seem to act as parables founded on a realistic lesson teaching of daily lifeThese two poems - The! Road Not Taken and fish fillet By the Woods on a Snowy eventide - stand as monuments to stages in the one great journey of life . The simple yet profound imagery of crossroads someway tells of individual responsibility , and the tired panorama of the timberland and a traveler in its midst reminds us someways of social truthfulness , albeit not as an independently subsistent cosmos but as an experience of the individual who remains alone within the whole , separated not by a primal alienation but by the ultimate seclusion of life and death , and bound to it only by moral ties of duty and commitmentA poet laureate he may be , but Robert Frost is not a prophet . He does not speak from volumes of knowledge hidden within scores and stack of books or from some mystical insight in the way of Samuel Taylor Coleridge or William Blake rather , Frost speaks from the erudition and with the images of experience . In this manner , he continues an American literary tradition that , immobilize for the occasional symbolist or transcendentalist irruption , eschews the abstract for the cover , or to use the words of Christopher Dawson , the baroque for the bourgeoistheless , through the double s of sights we see eachday he gives us a profound insight on our role upon the world , of our unmistakable experience not merely as humans in general but as particular people in specific circumstances . Through a few words in a poem he etches a black letter depth of all-too familiar human grief , limitations , and weaknesses . Through his literary productions he imprinted life and immortalized it for all ages for Frost was not a prophet but a sage , presenting to a world inured to its own lessons a faithful reflection of the scholarship that dwells in every street and dwelling , at every moment , and in every act of lifeWorks CitedFrost , Robert . The Road Not Taken . Poetry Foundation . March 20 2008p Frost , Robert . Stopping by the Woods on a Snowy E vening . Poetry Foundation . March 20 , 2008p PAGEP! AGE 7 ...If you want to get a full essay, order it on our website:
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