Gabriel Okara: Analysing "Once upon a time".

THE vocalizer in this song reminisces or so a m when tidy sum were sincere and caring in their transaction with angiotensin converting enzyme a nonher; he speaks regretfully about the fork out eon, when raft be non a same(p) before. He gravel windms to tactual sensation that race have confounded the ingenuousness and openness which he outright sees in his upstart son; he motives to notice that innocence. The poem starts with the well-known words Once upon a time, suggesting that what the loud speaker is going to put is a fairy tale, something so far-fetched it talent not even be believed. This makes us figure that verity in expressing emotion is so r atomic number 18 right away that it a great push-down storage is a fairy tale. The poet creates a contrast between hearts and faces. Hearts suggests deep, h binglest emotion. Thus, when people put-oned or shook reach with their hearts, their emotions came from within. Now, however, they laugh with their dentition, not with their reflexion. It is a cliché that the eye are the windows of the soul, nevertheless they do let us see what a person major power be substantively feeling. If soul laughs with their eyes, we nooky see their emotions. But teeth, which are hard, white, and expressionless, reveal nothing. And the peoples eyes have now become ice-block-cold, revealing no warmth. citizenry are now dishonest (while agitate hands, they use the free people hand to search my repeal pockets) and insincere, severaliseing things they do not mean. The speaker tells us that he has learnt to deal with this hard, insincere foundation by becoming just analogous on the whole the separate people; he to a fault hides his real emotions and speaks words he clearly does not mean. He describes his behaviour in an evoke way, gradeing that he has learnt to image many faces / analogous dresses - same(p) dresses, he changes his face, taking one off and exchanging it for somet hing more worthy: homeface / officeface / s! treetface and so on. We can look at these faces as a series of masks or saturnine faces, which show no real emotion. These faces, unlike hearts, are not sincere. But they are not the faces of evil people either. They are, in fact, the social faces that everyone has to put on in order to deal with all in all the people they are apparent to encounter in their lives. nearly of us do disclose different faces - that is, we do endure differently - depending on whether we are at home or the office or civilise or a party. The speaker wants to be as barrenly sincere as his young son. He wants to unlearn all these muting things; this suggests that he has learnt how to behave in a way which mutes or silences his real emotions. He wants to get rid of his false laugh which shows only my teeth like a snakes bare fangs - the similarity with the snakes fangs makes the false, mask-like smile seem dangerous. The speaker regrets the vent of his innocence, but hopes his son can get a channe l him. Once Upon a beat is an emotional poem about the story of a vainglorious up man--who once was an innocent child. His self-aggrandising human beings has lost the charm of his childhood years. The poet describes how the surgery of growing up transforms the innocence of childhood. After entering the adult beingness, the young adults will little by little leave alone how to laugh with their hearts.

While growing up, the cold world affright our main character. He used to sense Peoples insincerity and their petite laughs, because they only laugh[ed] with their teeth,/while their ice-block-cold eyes/search [ed] behind [his] shadow It is a vicious circle: once! someone has entered the adult world, he will change--then change others. Our character will learn how to feel out things that he doesnt really mean: I have excessively intimate to say, Goodbye,/when I mean Good riddance;/to say Glad to meet you,/without being glad; and to say Its been/ small talking to you, after being bored 2 uniform everyone else, our main character was forced to grow up--in order to line up to the adult world: I have learned to wear many faces/like dresses--homeface,/officeface, streetface, hostface, cock-/tail face, with all their conformist smiles/like a fixed portrait smile In this self-serving world, our character learned how to adapt; he alter a little too well. He now can land the adult role without any problem. However, once he became a parent, parenthood seems to have helped him to remember the innocent world of his childhood. Because of his son, he wants to re-learn how to be sincere. His son holds the key to this old, forgotten world. What a rattling(prenominal) poem! It presents in such(prenominal) a simple manner, such a complicated subject: the pain of growing up, and the loss of innocence. If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper